想必現(xiàn)在有很多小伙伴對于Punks，Ravers，ModsandTeddyBoys.No，thesearen'tsomehotnewbands，butthenamesofanumberofBritishyouthsubculturesfromthelast70years.YouthClub，aUKnon-profitorganization，releasedabookearlierthisyearcelebratingmanydifferentsubculturesfromthroughoutBritain'srecenthistory. \"Acatalyst（催化劑）forcreativityontheworldwidestage，BritishyouthculturemovementsfromtheTeddyBoysofthe1950stotheGrimeSceneofthe2000scontinuetoplayapioneeringroleinmusic，fashionandcreativityacrosstheglobe，\"itwroteonitswebsite.Thesesubculturesweretraditionallyawayforyoungpeopletoshowtheirpersonalitiestoothers.WalkingaroundLondoninthe1970swouldhavemeantseeingdozensofyoung\"punks\"-peopledressedinrippeddenim，leatherjackets，bodypiercingsandwithbrightly-dyedhaironthestreets.Andinthe90s，\"ravers\"wereyoungpeoplewhothrewall-nightpartiesinabandonedbuildingsorcarparks.So，whatwasthereasonbehindthesesubcultures \"OnbothsidesoftheAtlantic，moreandmoreyoungdisappointedteenagerswerelookingforanescapefromtheboredomandrestrictionsofsociety，\"wroteIanYoungs，BBCentertainmentreporter.\"Unemployment，racialtensionsandsocialchangesaddedfueltotheirfires.\"YouthsubcultureshavealmostdisappearedintheWest.Someexpertsbelievethereasonforthisistheinstantandlow-pricedavailabilityofmusicandclothingintheInternetage.\"Fashionandmusic，they'remuchcheaperandthey'remuchfastertoday，\"RuthAdams，aculturelectureratKing'sCollegeLondontoldTheGuardian. \"WhenIwasateenager，youhadtosticktoonetypeofmusicorfashion，becauseotherwiseitcostmoremoney.Now，it'sallabitvaguer，\"shesaid，believingthatit'shardertofigureoutsomeone'spersonalityormusictastesnowadaysjustbylookingatthem.Despitethis，Adamsbelievesthattoday'syoungpeoplearestillfindingtheirownwaytoexpressthemselves，butinamoremodernway.\"It'scertainlyhappeningonline，\"shesaid.\"It'saloteasiertousepersonas（偽裝）onlinejustbyshowcasingcertaintypesofmysteriousknowledge.\"（1）WhatdoweknowaboutBritishyouthsubcultures ______A.Theydatebacktothe1970s.B.TheywerestartedbyYouthClub.C.Theyarecontemporaryculturemovements.D.Theywereawayforyouthstoexpressthemselves.（2）Whatcontributedtotheappearanceoftheseyouthsubcultures ______A.Theeasyaccesstomusicandclothing.B.Youngpeople'sdesireforfreedomandfun.C.Thepoliticalpressureyoungpeoplesuffered.D.Youngpeople'slongingforfameandwealth.（3）WhichofthefollowingwouldRuthAdamsprobablyagreewith ______A.Youngpeoplearelesswillingtoexpressthemselves.B.Youngpeoplearelessinterestedinmusicandfashion.C.TheInternetmakesithardertotelltheyoung'srealpersonalities.D.Musicandfashiondeveloptoofastforyoungpeopletofollow.（4）What'stheauthor'sattitudetowardsubcultures ______A.NegativeB.ObjectiveC.DoubtfulD.Supportive","title_text":"Punks，Ravers，ModsandTeddyBoys.No，thesearen'tsomehotnewbands，butthenamesofanumberofBritishyouthsubculturesfromthelast70years.YouthClub，aUKnon-profitorganization，releasedabookearlierthisyearcelebratingmanydifferentsubculturesfromthroughoutBritain'srecenthistory. \"Acatalyst（催化劑）forcreativityontheworldwidestage，BritishyouthculturemovementsfromtheTeddyBoysofthe1950stotheGrimeSceneofthe2000scontinuetoplayapioneeringroleinmusic，fashionandcreativityacrosstheglobe，\"itwroteonitswebsite.Thesesubculturesweretraditionallyawayforyoungpeopletoshowtheirpersonalitiestoothers.WalkingaroundLondoninthe1970swouldhavemeantseeingdozensofyoung\"punks\"-peopledressedinrippeddenim，leatherjackets，bodypiercingsandwithbrightly-dyedhaironthestreets.Andinthe90s，\"ravers\"wereyoungpeoplewhothrewall-nightpartiesinabandonedbuildingsorcarparks.So，whatwasthereasonbehindthesesubcultures \"OnbothsidesoftheAtlantic，moreandmoreyoungdisappointedteenagerswerelookingforanescapefromtheboredomandrestrictionsofsociety，\"wroteIanYoungs，BBCentertainmentreporter.\"Unemployment，racialtensionsandsocialchangesaddedfueltotheirfires.\"YouthsubcultureshavealmostdisappearedintheWest.Someexpertsbelievethereasonforthisistheinstantandlow-pricedavailabilityofmusicandclothingintheInternetage.\"Fashionandmusic，they'remuchcheaperandthey'remuchfastertoday，\"RuthAdams，aculturelectureratKing'sCollegeLondontoldTheGuardian. \"WhenIwasateenager，youhadtosticktoonetypeofmusicorfashion，becauseotherwiseitcostmoremoney.Now，it'sallabitvaguer，\"shesaid，believingthatit'shardertofigureoutsomeone'spersonalityormusictastesnowadaysjustbylookingatthem.Despitethis，Adamsbelievesthattoday'syoungpeoplearestillfindingtheirownwaytoexpressthemselves，butinamoremodernway.\"It'scertainlyhappeningonline，\"shesaid.\"It'saloteasiertousepersonas（偽裝）onlinejustbyshowcasingcertaintypesofmysteriousknowledge.\"（1）WhatdoweknowaboutBritishyouthsubcultures ______A.Theydatebacktothe1970s.B.TheywerestartedbyYouthClub.C.Theyarecontemporaryculturemovements.D.Theywereawayforyouthstoexpressthemselves.（2）Whatcontributedtotheappearanceoftheseyouthsubcultures ______A.Theeasyaccesstomusicandclothing.B.Youngpeople'sdesireforfreedomandfun.C.Thepoliticalpressureyoungpeoplesuffered.D.Youngpeople'slongingforfameandwealth.（3）WhichofthefollowingwouldRuthAdamsprobablyagreewith ______A.Youngpeoplearelesswillingtoexpressthemselves.B.Youngpeoplearelessinterestedinmusicandfashion.C.TheInternetmakesithardertotelltheyoung'srealpersonalities.D.Musicandfashiondeveloptoofastforyoungpeopletofollow.（4）What'stheauthor'sattitudetowardsubcultures ______A.NegativeB.ObjectiveC.DoubtfulD.Supportive方面的知識都比較想要了解，那么今天小好小編就為大家收集了一些關于Punks，Ravers，ModsandTeddyBoys.No，thesearen'tsomehotnewbands，butthenamesofanumberofBritishyouthsubculturesfromthelast70years.YouthClub，aUKnon-profitorganization，releasedabookearlierthisyearcelebratingmanydifferentsubculturesfromthroughoutBritain'srecenthistory. \"Acatalyst（催化劑）forcreativityontheworldwidestage，BritishyouthculturemovementsfromtheTeddyBoysofthe1950stotheGrimeSceneofthe2000scontinuetoplayapioneeringroleinmusic，fashionandcreativityacrosstheglobe，\"itwroteonitswebsite.Thesesubculturesweretraditionallyawayforyoungpeopletoshowtheirpersonalitiestoothers.WalkingaroundLondoninthe1970swouldhavemeantseeingdozensofyoung\"punks\"-peopledressedinrippeddenim，leatherjackets，bodypiercingsandwithbrightly-dyedhaironthestreets.Andinthe90s，\"ravers\"wereyoungpeoplewhothrewall-nightpartiesinabandonedbuildingsorcarparks.So，whatwasthereasonbehindthesesubcultures \"OnbothsidesoftheAtlantic，moreandmoreyoungdisappointedteenagerswerelookingforanescapefromtheboredomandrestrictionsofsociety，\"wroteIanYoungs，BBCentertainmentreporter.\"Unemployment，racialtensionsandsocialchangesaddedfueltotheirfires.\"YouthsubcultureshavealmostdisappearedintheWest.Someexpertsbelievethereasonforthisistheinstantandlow-pricedavailabilityofmusicandclothingintheInternetage.\"Fashionandmusic，they'remuchcheaperandthey'remuchfastertoday，\"RuthAdams，aculturelectureratKing'sCollegeLondontoldTheGuardian. \"WhenIwasateenager，youhadtosticktoonetypeofmusicorfashion，becauseotherwiseitcostmoremoney.Now，it'sallabitvaguer，\"shesaid，believingthatit'shardertofigureoutsomeone'spersonalityormusictastesnowadaysjustbylookingatthem.Despitethis，Adamsbelievesthattoday'syoungpeoplearestillfindingtheirownwaytoexpressthemselves，butinamoremodernway.\"It'scertainlyhappeningonline，\"shesaid.\"It'saloteasiertousepersonas（偽裝）onlinejustbyshowcasingcertaintypesofmysteriousknowledge.\"（1）WhatdoweknowaboutBritishyouthsubcultures ______A.Theydatebacktothe1970s.B.TheywerestartedbyYouthClub.C.Theyarecontemporaryculturemovements.D.Theywereawayforyouthstoexpressthemselves.（2）Whatcontributedtotheappearanceoftheseyouthsubcultures ______A.Theeasyaccesstomusicandclothing.B.Youngpeople'sdesireforfreedomandfun.C.Thepoliticalpressureyoungpeoplesuffered.D.Youngpeople'slongingforfameandwealth.（3）WhichofthefollowingwouldRuthAdamsprobablyagreewith ______A.Youngpeoplearelesswillingtoexpressthemselves.B.Youngpeoplearelessinterestedinmusicandfashion.C.TheInternetmakesithardertotelltheyoung'srealpersonalities.D.Musicandfashiondeveloptoofastforyoungpeopletofollow.（4）What'stheauthor'sattitudetowardsubcultures ______A.NegativeB.ObjectiveC.DoubtfulD.Supportive","title_text":"Punks，Ravers，ModsandTeddyBoys.No，thesearen'tsomehotnewbands，butthenamesofanumberofBritishyouthsubculturesfromthelast70years.YouthClub，aUKnon-profitorganization，releasedabookearlierthisyearcelebratingmanydifferentsubculturesfromthroughoutBritain'srecenthistory. \"Acatalyst（催化劑）forcreativityontheworldwidestage，BritishyouthculturemovementsfromtheTeddyBoysofthe1950stotheGrimeSceneofthe2000scontinuetoplayapioneeringroleinmusic，fashionandcreativityacrosstheglobe，\"itwroteonitswebsite.Thesesubculturesweretraditionallyawayforyoungpeopletoshowtheirpersonalitiestoothers.WalkingaroundLondoninthe1970swouldhavemeantseeingdozensofyoung\"punks\"-peopledressedinrippeddenim，leatherjackets，bodypiercingsandwithbrightly-dyedhaironthestreets.Andinthe90s，\"ravers\"wereyoungpeoplewhothrewall-nightpartiesinabandonedbuildingsorcarparks.So，whatwasthereasonbehindthesesubcultures \"OnbothsidesoftheAtlantic，moreandmoreyoungdisappointedteenagerswerelookingforanescapefromtheboredomandrestrictionsofsociety，\"wroteIanYoungs，BBCentertainmentreporter.\"Unemployment，racialtensionsandsocialchangesaddedfueltotheirfires.\"YouthsubcultureshavealmostdisappearedintheWest.Someexpertsbelievethereasonforthisistheinstantandlow-pricedavailabilityofmusicandclothingintheInternetage.\"Fashionandmusic，they'remuchcheaperandthey'remuchfastertoday，\"RuthAdams，aculturelectureratKing'sCollegeLondontoldTheGuardian. \"WhenIwasateenager，youhadtosticktoonetypeofmusicorfashion，becauseotherwiseitcostmoremoney.Now，it'sallabitvaguer，\"shesaid，believingthatit'shardertofigureoutsomeone'spersonalityormusictastesnowadaysjustbylookingatthem.Despitethis，Adamsbelievesthattoday'syoungpeoplearestillfindingtheirownwaytoexpressthemselves，butinamoremodernway.\"It'scertainlyhappeningonline，\"shesaid.\"It'saloteasiertousepersonas（偽裝）onlinejustbyshowcasingcertaintypesofmysteriousknowledge.\"（1）WhatdoweknowaboutBritishyouthsubcultures ______A.Theydatebacktothe1970s.B.TheywerestartedbyYouthClub.C.Theyarecontemporaryculturemovements.D.Theywereawayforyouthstoexpressthemselves.（2）Whatcontributedtotheappearanceoftheseyouthsubcultures ______A.Theeasyaccesstomusicandclothing.B.Youngpeople'sdesireforfreedomandfun.C.Thepoliticalpressureyoungpeoplesuffered.D.Youngpeople'slongingforfameandwealth.（3）WhichofthefollowingwouldRuthAdamsprobablyagreewith ______A.Youngpeoplearelesswillingtoexpressthemselves.B.Youngpeoplearelessinterestedinmusicandfashion.C.TheInternetmakesithardertotelltheyoung'srealpersonalities.D.Musicandfashiondeveloptoofastforyoungpeopletofollow.（4）What'stheauthor'sattitudetowardsubcultures ______A.NegativeB.ObjectiveC.DoubtfulD.Supportive方面的知識分享給大家，希望大家會喜歡哦。

1、（1）D．細節(jié)理解題。

2、根據(jù)文章第三段These subcultures were traditionally a way for young people to show their personalities to others這些亞文化傳統(tǒng)上是年輕人向他人展示個性的一種方式。

3、可知英國青年亞文化他們是年輕人表達自己的一種方式。

4、故選D．（2）B．細節(jié)理解題。

5、根據(jù)文章第五段On both sides of the Atlantic，more and more young disappointed teenagers were looking for an escape from the boredom and restrictions of society在大西洋兩岸，越來越多的年輕失望的青少年正在尋求擺脫社會的無聊和限制。

6、可知這些青年亞文化的出現(xiàn)因為青年人對自由和樂趣的渴望。

7、故選B．（3）C．細節(jié)理解題。

8、根據(jù)文章最后一段she said，believing that it's harder to figure out someone's personality or music tastes nowadays just by looking at them她說，她相信現(xiàn)在僅僅通過觀察一個人的個性或音樂品味是很難理解的。

9、可知魯思?亞當斯可能同意互聯(lián)網(wǎng)使年輕人更難顯示年輕人真正的個性。

10、故選C．（4）B．情感態(tài)度題。

11、根據(jù)文章內容，主要是作者通過這篇文章主要向我們描述了英國近來流行的表達年輕人個性的一種文化--英國青年亞文化，并對其進行了介紹和描述．沒有表達贊同還是反對的情緒，因此作者對此的態(tài)度就是客觀評價而已。

12、A.Negative消極的；B.Objective客觀的；C.Doubtful懷疑的；D.Supportive支持的。

13、故選B．。

本文到此結束，希望對大家有所幫助。

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